23rd metal . CTS spam
[ It's after Cassel's announcement that Zane can be found in the CTS.
The scene is medieval - or, ancient, anyway. Armor, swords, horses. A battle. As the door out of the CTS closes behind him, they surround him, weapons braced. He blinks back anguished emotion, and tosses back a vial of metals, and touches steel, pewter.
He launches into the air, and the fight begins.
There are hundreds of them, and only one of him: and yet. He slaughters them. He uses the metal they carry to Push and Pull himself; he is always faster, always stronger, and he is the utter picture of grace.
He kills them all.
And when they are dead, the bright green hill of a battlefield strewn with corpses, he goes into the forest. Braces himself against one tree and flings metal at another, a thud-thud of swords, knives, shields whipping and burying themselves into the bark. He Pushes, and Pushes, until finally the tree splinters and collapses, crashing slowly and mightily into the ground.
He keeps destroying the trees, over and over, until someone interrupts - or another army shows up. ]
The scene is medieval - or, ancient, anyway. Armor, swords, horses. A battle. As the door out of the CTS closes behind him, they surround him, weapons braced. He blinks back anguished emotion, and tosses back a vial of metals, and touches steel, pewter.
He launches into the air, and the fight begins.
There are hundreds of them, and only one of him: and yet. He slaughters them. He uses the metal they carry to Push and Pull himself; he is always faster, always stronger, and he is the utter picture of grace.
He kills them all.
And when they are dead, the bright green hill of a battlefield strewn with corpses, he goes into the forest. Braces himself against one tree and flings metal at another, a thud-thud of swords, knives, shields whipping and burying themselves into the bark. He Pushes, and Pushes, until finally the tree splinters and collapses, crashing slowly and mightily into the ground.
He keeps destroying the trees, over and over, until someone interrupts - or another army shows up. ]
no subject
I'm sorry.
[It's a true apology, an admission of wrong.]
But there's more to you than how much you're able to help me. You don't have to be - of use.
[He realizes this as he says it, flinches a little back from her.] Is that why you think I came here with you? Because I wanted you to be useful to me?
no subject
I think you came here to humor me.
[This is flat, and dull.]
I do need to be of use. You were used, and you hated it, and I get that, but I was - discarded. If I can't help, if I don't matter to someone -
I'd make an awful hedonist, is the point here.
no subject
I don't care about you just because of what you do or don't do for me.
And I'm sorry about Lua. She was - good.
no subject
[Her voice wavers, on the last words. She knows how bad that sounds, and she closes her eyes, breathes slowly a few times. She still can't come up with a better way to say it. Harvey doesn't count, and Zane does, because she actually wants to take care of him more often than she wants to rip him apart. She isn't always a good person to care about. She wants to be worthwhile. And that means doing things.]
I'll be okay. I'll graduate, and I'll find her, and I'll give her my warden deal if she still needs one. Nothing is impossible. I just.
[Anya misses her, fathomlessly.]
I didn't expect it.
[Quiet, hideously understated. Of all the people she loves, Lua had been the one she most came to rely on.]
no subject
If you want to know you deserve it, then stop making people like you. When they still do, you'll know.
And you do still have options to help her if that's what you want. You aren't deluding yourself, if that's what you're afraid of.
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No. I'm not afraid of that. I know what I'm capable of.
He didn't make me think that, exactly. He make me think I was worthless by definition, as a human. And being useless was a consequence of being worthless, instead of the other way around. And I know he was wrong, most of the time.
[She sighs.]
It's not about people liking me for...whatever other reasons. I know some people do. It's about liking myself enough to agree that they should.
no subject
[There are more similarities, more mirrored images here, than there are differences. Zane truly believes that, and his tone shows this, and the way he leans towards her, and the way he keeps eye contact.]
...then maybe you should just accept that other people are inexplicable and they can make their own decisions on whether to like you or not.
no subject
[She sighs, and she leans into him, too, eventually letting her forehead rest against his, moving her hands to grip his arms. He's less stable than she is, mentally, but physically he's strong and solid, and she appreciates having someone to hold on to, for a moment.]
Of course people make their own decisions. And my decision is that I want to be good. To me, that means doing things. Making the lives around mine better instead of worse. And I don't like failure.
[She accepts the love of others, but it doesn't stop her harsh judgement of herself. If she fails, then her decision is pointless. She doesn't quite logically believe that if she fails, she is worth nothing - she has past accomplishments, future attempts. But the feeling is there.]
no subject
You have to pay attention. You have to know exactly what they think. And you have to match what they think perfectly, or you're useless?
no subject
When I'm perfectly matching what people expect, it's usually because I'm manipulating them. Actually helping is...less precise, and usually involves surprising people. If people aren't happy then their expectations aren't either.
I'm useless if I'm not doing anything useful. That's. Kind of inevitable.
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What do you think matters?
[She doesn't move away from him, her eyes opening to fix on his, not quite close enough to leave them cross-eyed, but close enough to be oddly intense. The question is light and brisk, half challenge and half genuine.]
no subject
[He pulls back a half-inch, but only to think, not primarily to break contact with her.]
I still think the most important part about me is Allomancy. I still believe, with every part of me, that it is what makes me worth knowing, and worth loving.
But I don't think it's important because of what it can do for someone who uses me.
no subject
By that logic, every mistborn is equally worthy. Same ten powers, right? No more, no less.
no subject
...eighteen.
[He hasn't said this aloud to anyone yet. It's just been a thought. Lingering in the back of his mind.]
I think there might be eighteen.
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Because that's fucked up.
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[ He clarifies: ] Automatically. Before knowing them. Because we have something in common.
And - maybe I would be. [ He's thinking of Kelsier. If Kelsier would pay more attention to him because of this. ]
no subject
No, you idiot. You realize you're basically telling me that my father was the most worthwhile person I've ever met?
[She's not angry - or, she's angry, because the corollary is and I'm worth nothing, you hypocrite, but she isn't venting it, isn't giving it any expression in her, keeps it in a box on a shelf because this isn't about her and being angry at him won't help him be less stupid.]
You wouldn't be worth one jot more. You'd just have more tools. What you do with them - all the rest of you, in other words, cleverness and empathy and bravery and your lousy attitude, all of that - that's what matters.
...and you did a good job with Creed, by the way.
[She knows other people have told him, but she hasn't, and she - ought to. Fair's fair.]
no subject
No. That's not - You don't think I believe Creed is worth more than you or Chris or - Lua. Do you?
[ He doesn't, truly. But he struggles with this.
He drops his hand, abandoning the glare, too. ]
But maybe if I found more, if I showed I could be smarter and more powerful... [ A hiss of air. ] I still think this way, Anya, even when I try not to. How can I stop assuming that other people will do the same?
no subject
[This is solemn, even gentle. Anya knows something about holding incompatible thoughts out of emotional necessity. But she also thinks he needs to jettison this, like, yesterday.]
Do you remember the powerswap flood? I was a telepath for a while. Stronger and faster and everything felt effortless. And I almost killed Erik by accident. I wasn't any better or worse or more worthy or less. I was still me, and I hurt someone because I made a reckless mistake.
You told me, what, five minutes ago that I should stop manipulating people, and the people who stick around are the ones who like me for me, right? Zane, you were powerless, as you told me emphatically and repeatedly.
We all still cared about you, and you did not make it easy. I'm not going to lie. There are people who'll think you're worth more for it. But you're a what instead of a who to them, even if that what isn't necessarily a tool, and they aren't your real friends.
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If Cassel lost his powers, forever, would you love him less? Would he deserve less?
[You blockhead.]
We learned to understand each other because our fathers are awful. Our lives are part of us. History matters. Connection matters. But it's about how you felt and how you survive and how you are still kind enough to care that someone else suffered as you suffered.
My father - he knew what it was, to be treated as -
[Subhuman is, and is not, the word she wants.]
-as less, as an animal, as something to be disposed of. And then he turned around and did it to other people. Some people take things like that and when they have the chance to stand under their own strength, deal them right back out. And some people struggle to stand against them.
[With a very small smile, sad and sharp and deep,]
That's what makes you amazing, to me. You believe some of what you've always been told but you're still trying so hard, to be something different. To go through all of that and come out and still be moved by what happened to Cassel, instead of callous to it, because hey, you survived, didn't you? That's how the world goes, isn't it? That's what matters, not...power and circumstance.
no subject
He's sending himself in circles. ]
...it is how the world goes. How my world goes.
I didn't know there was something different until here.
no subject
Zaychek, your world was wrong about almost everything.
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[She's right. He knows she is. He's turned away from almost everything his world represents - except one thing. Allomancy.]
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