23rd metal . CTS spam
[ It's after Cassel's announcement that Zane can be found in the CTS.
The scene is medieval - or, ancient, anyway. Armor, swords, horses. A battle. As the door out of the CTS closes behind him, they surround him, weapons braced. He blinks back anguished emotion, and tosses back a vial of metals, and touches steel, pewter.
He launches into the air, and the fight begins.
There are hundreds of them, and only one of him: and yet. He slaughters them. He uses the metal they carry to Push and Pull himself; he is always faster, always stronger, and he is the utter picture of grace.
He kills them all.
And when they are dead, the bright green hill of a battlefield strewn with corpses, he goes into the forest. Braces himself against one tree and flings metal at another, a thud-thud of swords, knives, shields whipping and burying themselves into the bark. He Pushes, and Pushes, until finally the tree splinters and collapses, crashing slowly and mightily into the ground.
He keeps destroying the trees, over and over, until someone interrupts - or another army shows up. ]
The scene is medieval - or, ancient, anyway. Armor, swords, horses. A battle. As the door out of the CTS closes behind him, they surround him, weapons braced. He blinks back anguished emotion, and tosses back a vial of metals, and touches steel, pewter.
He launches into the air, and the fight begins.
There are hundreds of them, and only one of him: and yet. He slaughters them. He uses the metal they carry to Push and Pull himself; he is always faster, always stronger, and he is the utter picture of grace.
He kills them all.
And when they are dead, the bright green hill of a battlefield strewn with corpses, he goes into the forest. Braces himself against one tree and flings metal at another, a thud-thud of swords, knives, shields whipping and burying themselves into the bark. He Pushes, and Pushes, until finally the tree splinters and collapses, crashing slowly and mightily into the ground.
He keeps destroying the trees, over and over, until someone interrupts - or another army shows up. ]
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He interrupts without meaning to, catching only a glimpse of the blasted countryside as the door opens.]
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Holy Peter.
Ahoy out there! I hadn't meant to break in on you.
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What were you doing there?
[ The question is half-panicked. ]
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I came to use the CTS. Didn't realize someone was inside. Zane, my Lord, you jump like a rabbit.
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[ He turns away, inhaling sharply, and exhaling slowly. ]
It was a steel-jump. I Pushed off of the daggers embedded in the trunk.
[ It's not much of an explanation, he's aware. ]
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I am sorry, lad. I shouldn't have come in if I knew you were... busy.
[He looks at the felled tree.]
But no harm done. I'll wait my turn, if I can just get that tree away from the door.
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No time to think, he's already being attacked. He Pushes himself into the air, drawing weapons into the air after him. Mid-air, he turns and sends the metal back down into group. ]
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If it's not... he'll attack.]
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Walking across the battlefield brings unpleasant memories to the fore; when she blinks, she can see Camlann, she can see knights and Saxons both dead and mangled and laying as empty husks. She closes her eyes before she can see Mordred's body. She doesn't want to remember that.
Instead, she follows the noise, until she feels the ground quaking under the collapse of the first tree. Another follows in short order, and she finds him while he's attacking the third.]
Does it help?
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He is breathing hard, at the end of this one, chest heaving. ]
Better than locking it away.
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Why are you upset with him? [She has to assume, has to assume everything, because she can't put words to how she feels, not yet.]
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[ His voice is raw and loud, a shout. ]
He's gone, and I'm still here, and I'm not upset at him, I'm afraid I lost him. I'm afraid that I let him go and I'll never get him back.
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He said he's staying. You don't trust him?
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And when he emerges, his clothes are torn; he is bloodied; he is exhausted.
And he is almost tripping over her before he notices her.]
Anya?
Are you waiting for me?
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Yes.
Are you going to the infirmary now, or should I patch you up?
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[And he forces himself, deliberately, to accept.]
...but if you'd like to look at what's there.
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[Part polite manner of speaking, part acknowledgement that he agrees at least somewhat for her sake. She leads him down the levels to her room, lets him in. It's airy and open, bookshelves along two walls, cape-curtained bed tucked into a recess in the wall, a cozy reading nook before a large bay window. It's all warm colors, greens and blues and the stark red of the cape, yellow flowers and twirling designs hand-painted on her lavender door. There is almost no metal at all, and most of it is all contained in a heavy fingerglass trunk with a few cinderblocks on the lid. She pulls a first aid kit from a drawer under her bed and motions him to the windowseat.]
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