voice & action, 35th metal
[ voice ]
There are... a lot of people.
[ Zane sounds tense; this is his request for help. How does one navigate crowds like this, which he's never seen before, except in situations of violence? How does he take this? ]
[ action ]
[ He tends to lurk and watch, too hesitant to participate. At least someone's made him dress the part; he carries himself enough like a nobleman, still, that waistcoat and trousers look natural on him. He is a young, well-off man, in appearance; just, quiet, and more likely to watch than participate. ]
There are... a lot of people.
[ Zane sounds tense; this is his request for help. How does one navigate crowds like this, which he's never seen before, except in situations of violence? How does he take this? ]
[ action ]
[ He tends to lurk and watch, too hesitant to participate. At least someone's made him dress the part; he carries himself enough like a nobleman, still, that waistcoat and trousers look natural on him. He is a young, well-off man, in appearance; just, quiet, and more likely to watch than participate. ]
u r perfect
No. This is where he's supposed to be.
Zane steps up next to him, watches him. His eyes are intent, but he is quiet, listening. ]
Then I made myself sad researching the height of the masts IDK
And this thing has a draught of eighteen or twenty feet-- that is from the waterline to the keel-- a ship of the line would have about thirty, and that much freeboard, and two or three decks above water.
[He frames this imaginary ship of the line with his hands, far out in the lake.] She'd have a crew more'n 800; closer to 850 if the captain had his way, for every man is needed when you get into battle or hard seas.
It is cramped, worse for the men than the officers and not very comfortable for most of the officers either but-- but there's an order, a routine. The ship's bells every half an hour to count off the watches. A home-- for months away at sea, beating up and down, sometimes weeks-- months-- out of the sight of land. Admiral Cornwallis had not been ashore for three years, when he hauled down his flag.
[His words fail him. The dreadful, harsh, stinking world of a ship is his world, more than the luxurious barge and this future he is visiting ever will be. And he misses it all so powerfully.]
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[ That kind of crowding - outside of a skaa's slums - even for a skaa's slums. Zane has never been so crowded, even when his meals were watery broth and old, withered vegetables boiled too long. ]
How do you fit them? And supplies, too.
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It is not impossible because half the crew is awake at any time, awake and working.
You have seen my cabin? It is pretty fanciful, it is twice the size of a real captain's cabin. That is enough room for an admiral! Lord the barge is so open and clear, and fresh water to wash in, it still makes me a little nervous.
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[ He says this a little abstractly, gazing at the horizon of Lake Michigan. It's like an ocean; it's endless. He hasn't seen expanses like this very often. ]
It's a little different because of Dani. Because I've moved things.
Wouldn't you rather it be open?
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The smell and the motion are all wrong.
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Look at me mooning like a lady ashore, I promised to show you splicing and haven't put a rope in your hand yet.
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It ain't real magic. But it's what a sailor can do.
Here, let me get some line and show you a knot or two-! You will be able to bend and hitch like a seaman in half an hour.
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You put things so neatly sometimes.
Let's heave to, I will show you the cabin of the ship, and where all the canvas and cordage is stowed.
To heave to-- it is to put the ship's bow into the wind, so she don't travel, and we can put down this sea anchor-- it is just a scoop, that drags her along, see-- and that will mean we don't go to leeward if a breeze comes up.
[He does so neatly, and their motion slows and stills. He offers Zane down into the cabin, there to positively swamp him with all the nautical knowledge he'll take.]
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He follows Bush into the cabin. ]
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You see, we sailors are dreadful hosts. We've no manners at all. [He looks a little sheepish, even though he's joking.]
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[ Cultural sensitivity??? ]
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[He's a little surprised at the question, though at least he understands exactly why, after a moment's thought. Zane knows some but not all, and he's trying, bless him.] Not if you ain't hungry. If this was my real cabin and I had something better to offer you, I'd be a bit stung I think. But we are just friends, here. It is not formal, you don't have to worry about that.
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You already offered - this. Sailing.
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I am pleased to have you aboard. It's good to be out on the water, but better with company, particularly a friend. And I know how it can be in crowds. Ships are crowded, but bless me you get to know everyone faster than you think until you're bored of the same old stories. In cities, there's so many strangers.
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So what I mean to say is thank you. This is a reward to me, as it is.
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It is a treat for me, too. Like going home. These streets aren't mind, but wind is wind and canvas is canvas, no matter what they've done with steam. [He says that with disapproval.] I have seen a steam navy, when we all had daemons. It wasn't a patch on a real navy.
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[ A real, if somewhat ignorant and offensive, question. ]
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Why, because of seamanship. What'll the discipline of the ship come to if the hands don't have to man the sails? What'll set good captains apart from bad-- even a French captain could manage a sea crossing if he could simply bull ahead under steam instead of making the best of the wind.
And they are so ugly, so dreadful ugly. No clean lines, all sooty and squat like a milkpail with iron cladding.
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[ Somewhat bemused. That's really the opposite of what progress is supposed to be. ]
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Bunch of complicated and new-fangled nonsense, if you ask me. [He doesn't quite sniff his disapproval, but he scowls a bit.]